[from Omar Pérez's Did You Hear About the Fighting Cat?, tr. Kristin Dykstra, Shearsman, 2010]
Some call it the Game, others the Flower or the Mirror. All agree that it deals with an instrument for mutation, a fan that becomes sword, then branch -- dry or covered in flowers -- then a sudden flame, then silence. A fan for a journey.
The creature arrives on the Island with the purpose of mutation, yet the waters of the amniotic ocean cause it to forget. The creature arrives on the Island without a purpose. Later it learns: praxis, poeisis, Kyrie eleison, benedictus qui venit in nomine domini. I can't give you anything but love baby. Il faut être absolumment sincère, Cubanness is love, women are in charge.
The word is there in the game, but it is not the game. Morality and the cyclical working of consciousness are there in the game, but they are not the game. Nation is a woman bearing corn, liberty one of the childish watchwords that the players exchange. The creature practices forgetting and its body catches flame with a memory, one that lances the Island and the water separating it from other islands. O, lightning spreading across the surface of the waters! O creature upright in the body of the lightning!
"It is a technique for sincerity that comprehends all techniques," said the Man of the island mountain.
"I want to learn it," the Creature blurted.
"It's easy. Anchor the improvisational. For example, a kiss. Improvise the anchored. For example, a mountain on an island. Deal a death blow to discernment."
"And my thoughts?" the Creature protested.
"They're worthless. Consider them insects on the bark of a growing tree. That is the sublimity of thought, if you're interested in knowing it."
"I have questions to answer," the Creature reflected.
"Don't answer anything. Don't react to proofs. Another Creature awaits you now. Show it what you have forgotten."