11 September 2012

Cate Marvin

[from Cate Marvin's Fragment of the Head of a Queen, Sarabande, 2007]

Landscape with Hungry Girls

There’s blood here. The skyline teethes the clouds
raw and rain’s course streams a million umbilical
cords down windows and walls. Everything gnaws,
and the pink polish on their girl-nails chips, flakes
off as they continue to dig through towering heaps
of refuse. It’s a story, as usual. As usual, a phone
and dead silence. Or the phone: a lobster to the ear.
Girls resigned to being girls. The softer faces they
find in the mirrors. The limp shake, a hand placed,
a flower wilting moist on the man’s palm. Or hard
handshakes deemed “aggressive”: snakes. O, girls.
All of them carefully watching carefully the faces
of their sleeping men, even when their own faces
are more beautiful in their watching, and if only they’d
watch their own faces beneath the revolving lights
sliding between the blinds: they are blinded from
watching their men sleep so dumbly. The headaches,
the insistent grip of a gnawing stomach, eating itself.
Thinking hunger is strength, how hurt they are, girls
picking at food on their plates. I like a girl who eats.
Careful, what you say you want. The moon is distant,
yet cousin to her face: our genders worse than alien.
Bleeding is something everyone does. You don’t call.
Girls snack on skyscrapers, girls gut their teddy bears,
and girls saw their own faces off. What is it to lack
compassion? When you walk through a zoo, do you
not think the animals it houses could have been you?
Who would you be, how hungry, if you were a girl
feeding only on the meek sleep of male countenance?
Would you stand vigil, would you starve as they do?

Cate Marvin

1 comment:

  1. It's about control, not the male gaze.

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