Samuel Amadon

[from Samuel Amadon's Like a Sea, Iowa, 2010]

The Barber's Fingers Move October

If I watch two white cats play in a window
which is not the window I should be watching

when a window I watch through is the window
I should be washing, then we know today

is going to be a difficult to listen to all his talking
when his shirts are open, when is face is

pulsing. Would anyone like to see my thumbs
lonely, or growing from one leg to the next

brownstone overflowing with people unprepared
for how happily I'm going to be making lunch

look like a portrait of milk next to seventy-two
days of tomato soup, each peppered

with less cooking makes for opportunity to see
my foot pressed against Grant's Tomb

which is just to say mustache. But
could landmarks be what I've been neglecting

to mention, how unproductive never leaving
the house might actually be what you were

meaning? I'm sorry. Sometimes listening takes
stealing a bus, or finding a way to parking lots

large enough in which to fishtail.
A reason for snow having not come. This year

is going to be a good idea becomes better
after sharing it with stringers, or settle down

before you worry yourself into a newspaper
subscriber who won't take the time to more

than rinse a mug. Isn't water what we were after
all I can't remember, but believe as a child

I was a vision of not really the strongest swimmer
on his hands, collecting grass for filters because enough

with the ceiling fan it's summer Sam no one but me will
believe you are robot who prefers a beach in tight

khakis with no belt because it's back home holding
his project in rotation, which is sort of like me

now, see how I can make my chair stop or keep
my chair spinning, either way I must be up for something

has made one white cat try hard his face against
the glass until a vein appears which, followed, leads

us back to apparently my bicycle was taken off
the shelf. What if I rode it with my knees spread down

the four flights of stairs out this building
into the street without checking the car's side

mirrors for if I still pedal with my mouth open?
Better you leave it too precarious in the doorway

for me to follow after the door is knocked
by the wind from a window I will open now

that it's safe to say this has been a full morning
of staring through the half-reflection of my face

figuring out how it would sound
to understand every word you were saying.

Samuel Amadon